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[post-rock] (2017) Ex Eye - Ex Eye [FLAC,Tracks] {100.XY}

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Torrent File Content (9 files)

Description

(2017) Ex Eye - Ex Eye


Review:
EX EYE was conceived during the sessions for Colin Stetson‘s landmark
2016 album, Sorrow: A Reimagining of Gorecki’s 3rd Symphony. Liturgy drummer Greg Fox and keyboardist Shahzad
Ismaily (Ceramic Dog, Secret Chiefs 3) both played on that record, and the trio undertook discussions of forming a band
that engaged black and post-metal aesthetics. Stetson reached out to his longtime friend, guitarist Toby Summerfield,
and the quartet commenced playing festivals. 
Relapse Records heard and signed them almost on the spot. This debut
four-track album embraces and challenges accepted notions about post-metal, black metal, and doom metal. 
Opener
“Xenolith; The Anvil” commences with a crescendo of squalling tremoloed guitar, tsunami-like synth, and
blastbeats before establishing an interlocking groove with Stetson’s bass horn creating its main body.
Fox’s blasts re-emerge to carry it out, and the listener is left wondering what exactly happened over the last
five minutes. “Opposition/Perihelion; The Coil” is the set’s longest jam at over 12 minutes.
Introduced by Stetson’s alto saxophone acrobatics — circular breathing and multiphonics —
Summerfield adds spiky riffage as Fox bridges the drum gaps between Emperor’s Faust and Rashied Ali, and Ismaily
weaves string-like waves on his synths. Stetson takes solo fills that add a large, bold, underscored “POST”
to these metallic proceedings. A long breakdown ushers in a sinister dirge-like groove where Stetson stretches a bit and
Summerfield’s playing becomes the force of tension. By contrast, the slow, droning intro to “Anaitis
Hymnal; The Arkose Disc” initially sounds — and feels — like a return to Sorrow. It’s almost
suffocatingly atmospheric in its black metal overtones. Fox simultaneously explodes that notion while underscoring it
with violent cymbal and kick drum work. Stetson whirls around him with fat, deep register bleats and blasts as
Summerfield and Ismaily register layered textural playing that increases the notions of dread and grief before Stetson
starts screaming and moaning through his horn. But the tension is not released; it’s ratcheted to the bursting
point and explodes into the endless void of outer blackness. “Form Constant; The Grid” closes the set with
urgent, muscular alto saxophone and hovering, taut synth lines. Summerfield fingerpicks tremoloed chords while Fox adds
a processional dirge. All sounds meet at the margins then crash back into the center in a massive orgy of doom before
the pace picks up with black metal fury, climbing synth basslines, and annihilating cymbal crashes as Summerfield and
Stetson roil around one another with unhinged noisemaking akin to John Zorn’s Painkiller.
While the music on
this self-titled offering is breathtaking in its intensity, beauty, and mystery, what’s even more
incomprehensible is that this quartet manages to challenge, realign, and perhaps even redefine the entire post-metal
landscape in 28 short minutes. Given that, there is no excuse for every post-metal and black metal fan not to enjoy EX
EYE’s project.





Tracklist:
01 - Xenolith; The Anvil.flac
02 - Opposition; Perihelion; The
Coil.flac
03 - Anaitis Hymnal; The Arkose Disc.flac
04 - Form Constant; The Grid.flac
05 - Tten Crowns;
The Corruptor (Bonus Track).flac

Summary:
Country: USA
Genre:
post-rock


Media Report:
Source                           :
CD
Format                           : FLAC
Format/Info                      : Free Lossless Audio Codec,
16-bit PCM
Bit rate mode                    : Variable
Bit rate                         : ~ 855-888 Kbps
Channel(s)                       : 2 channels
Sampling rate                    : 44.1 KHz
Bit depth         
              : 16 bits

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